11/13/2021

Salutations.

It is now 8:57 AM EST for me.

Partial justification:

I made this idea several lists or so ago. I forgot it’s exact name, but I don’t want to look for it. So, before I give you the usual music video and trailer, I want to talk about this as quickly as reasonably possible, and then I’ll get to it. Idea ‘Partial justification’ is when an instigator, in order to avoid his/her instigations looking too self implicating, that instigator encourages you to do something that creates what I call a ‘partial justification’ on the instigator’s part. Even if the instigator does something that is obviously self implicating, if the instigator causes you to act upon this ‘partial justification’, that action can lessen how their inappropriate actions is looked upon by teachers and management.

So, the partial justification I’m talking about is how instigators are causing innocent people to respond to their instigations. For this particular example, the ‘partial justification’ is to cause the innocent person to raise his/her voice in order to complain to the instigator, since the instigator seems to not stop his/her indiscretions under normal forms of communication. The ‘partial justification’ part addresses overemphasized forms of communication that an instigator may improperly impose upon innocent people. If an instigator can also cause an innocent person to impose an emphasized form of communication, then their overemphasized forms of communication looks less mitigating because of it.

The problem with this form of ‘partial justification’ is the available tolerance the innocent person has as it relates to interacting with certain emphasized forms of communication. Let’s say that innocent person is an 8 year old girl encouraged to raise her voice with certain instigators in order to cause them to stop taunting her, since normal forms of communication are not working. That 8 year old girl, even though she raised her voice to those instigators, is not used to many forms of emphasized forms of communication. Sure, she is exposed to it, but it bothers her to process such forms of communication.

That is what my new ideas are going to help people try to do, to choose forms of communication to commit to, and to choose forms of communication to not commit to, to basically in a minor level manage forms of communication he/she is using. The 1st idea that I will explain, which is the main idea for all of the ideas that I will explain, is called ‘Communicate’. All the other ideas are variations for idea ‘Communicate’. The next idea is called ‘Realize’. The next is called ‘Guilty’, and then finally the impression of idea that I am using, which is called ‘Why forbid’ or ‘Why deny’.

And now, to the music video and trailer: The music video that I watched for the 1st time earlier today and chose for this advice is called ‘Bubble’ by Lennon Stella. I found the music video from www.youtube.com, publisher ‘Vevo’. Search and click publisher ‘Vevo’, then click category ‘New Releases on Vevo’. Here’s the description for that category: ‘The Hottest Music Video Premieres and Vevo Originals and Performances… See Them All HERE FIRST!!!’ . Music video ‘Bubble’ is #25 out of 445 music videos in that category. Here is a quote from the lyrics to song ‘Bubble’:

There’s no floor and there’s no ceiling
There’s no trying and no reaching
Air like water is what keeps me
Keeps me

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To watch music video ‘Bubble’ for free, search in www.youtube.com for phrase ‘lennon stella bubble’, and it should be one of the 1st selections offered, with over 32 thousand views. It premiered Nov 12, 2021, yesterday. And here is a quote from one of the comments:

She’s like a magical, mystical, soulful creature that’s been sent to earth to share her love and light with us all. All you have to do is press play, close your eyes and allow that angelic voice enter your heart and mind.

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When I watched it, in my opinion, the music video and music relaxed me. What seems to me to be an attractive blonde woman is using a big bubble as a music video special effect to help those that listen to the song ‘Bubble’ and watch the music video ‘Bubble’ feel relaxed. I think that if you watch the music video ‘Bubble’, you too should feel relaxed.

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The tv show trailer that I watched for the 1st time earlier today is called ‘The Beach | Official (Infinite) Trailer HD’. I found it by looking at ‘List of Apple TV+ original programming’ from www.wikipedia.org. In the ‘Awaiting release’ category, I found ‘The Tragedy of MacBeth’. I searched for phrase ‘the tragedy of macbeth trailer’ in www.youtube.com, and one of the 1st selections offered it’s trailer by publisher ‘A24’. I selected publisher ‘A24’, then ‘VIDEOS’. And that’s where I found trailer ‘The Beach’. It was published Nov 2, 2021, 11 days ago. Here’s a partial quote offered by www.youtube.com about it:

‘ This Thanksgiving, spend a week at THE BEACH – a new, sensory experience from A24. Presented as a continuous week-long streaming event only in the A24 Screening Room. THE BEACH – Streaming November 22-28 only in the A24 Screening Room. ‘

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And here’s a quote from one of the comments:

‘ This goes for about three hours on loop. Warwick Thornton is an Australian indigenous filmmaker who moved back to his native country to isolate well before coronavirus hit. Its part staged part lived. He has given interviews about the process, and mentions using the time to detox off alcohol. I watched it with my kids. It’s utterlyy mesmerising, beautiful and very compelling. I totally recommendcwatching it. ‘

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I’m not a doctor, but as a non managerial employee, I recommend that the kids who feel like they’re being encouraged to interact with and commit to overemphasized forms of communication, that those kids watch the tv series trailer ‘The Beach’. In my opinion, it’s relaxing to watch. It appeals to the senses that are conducive to a sedentary perspective, a perspective in my opinion may be disparaged by certain forms of instigation focusing on ‘partial justification’ involving communication emphasis. In my opinion, it’s the cinematography itself, how the trailer is made, that creates that ambiance of a conducive sedentary perspective. For example, a man can have a similar life experience like that man depicted in that tv series trailer, and as that man is watching that trailer, he may contemplationally say to himself ‘I never saw myself that way before.’ Watching that trailer conveniently brings it out. I don’t plan on watching that tv show ‘The Beach’ myself. I’m only recommending that you watch the free trailer. If you choose to watch that tv show, I don’t see why not. It should be just as relaxing to watch as that trailer, just more of it. It’s just that I haven’t seen it yet, limiting how I can comment on it.

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Communicate:

It is now 10:26 AM EST for me. I invented idea ‘Communicate’ using a scene from the tv series ‘Men of a Certain Age’. Here is a quote from wikipedia.org about it:

‘ Men of a Certain Age is an American comedy-drama television series created by Ray Romano and Mike Royce, that ran on TNT from December 7, 2009 to July 6, 2011. The hour-long program stars Romano, Andre Braugher, and Scott Bakula as three best friends in their late forties dealing with the realities of being middle aged. ‘

I used streaming service ‘HBO Max’, since the tv series ‘Men of a Certain Age’ is available streaming from HBO Max, to try to find that scene. I used my Apple TV streaming device to look for it, since it’s the fastest fast forward streaming device available to me. I ‘fast forwarded’ through both seasons, but I couldn’t find that scene. Therefore, I’m going to 1st describe the substitute scene so that, if you choose to, you have something to reference from the show, something to look at. And then I’m going to describe the actual scene that seemed to be removed from the series, the one that I used to make idea ‘Communicate’. So, here’s the substitute scene. It is from episode 1.1 ‘Pilot’ from tv series ‘Men of a Certain Age(2009)’, and it’s also available streaming from Amazon.com, and according to Amazon Video, that scene starts 41 minutes and 8 seconds into the episode. Here is the quote:

Marcus(Brian White): ‘Looks like somebody’s having a bad day.’

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The actual scene is when Owen Thoreau Jr.(Andre Braugher) crashed into Marcus while running to greet prospective car buyers. Since it’s a comedy drama and it’s just actors portraying characters, you may choose to evaluate that scene as Owen not even realizing that he caused Marcus to fall down as he approached those prospective car customers.

Now, that’s just the substitute reference. The actual reference used is based on a scene that I remember watching, but doesn’t seem to be available in the current HBO Max streaming version. Here’s the explanation for that scene: Owen was giving a presentation to the employees, and during that presentation, Marcus received a phone call and chose to leave the presentation in order to continue that conversation. After Marcus left, Owen criticized the other employees, saying that since Marcus was their best salesperson, he was allowed the courtesy to leave the room to continue that cell phone conversation. The point is that, if you used idea ‘Communicate’, for example, Owen would not have to use that form of communication on the other employees, to criticize them as an excuse to allow Marcus to leave the room. I interpreted that scene as a communication causality. When Owen chose to allow Marcus to leave the room during one of his presentations to the employees, Owen felt that his chosen use of communication required that he criticized the other employees left in that room as justification to allow Marcus to leave that room. With idea ‘Communicate’, since you have more of an ability to manage better your chosen form of communication, you may choose to not criticize other employees in order to allow one employee to do something.

Since I couldn’t find that scene, as a substitute for something to look at, I offer you the scene in the ‘Pilot’ episode, when Owen Jr. caused Marcus to fall to the ground.

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Realize:

When I would make ideas like these in general, for example, the main idea is ‘Communicate’, for a short while, I may contemplationally say ‘Communicate’, and that would initiate the idea. But soon after doing that, I would invent a variation of idea ‘Communicate’, and then I may contemplationally say it’s variation instead of the main phrase. Soon after inventing and using ‘Communicate’, I invented a variation of it called ‘Realize’. It’s essentially a sense of realization encouraged by an instigation for you to contemplationally commit to. I’ll talk about it in more detail later maybe. What I’ll do is explain the ideas I mentioned 1st, and then if I have time extrapolate later in this list.

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Guilty:

Here’s a definition of the word ‘Guilty’ from www.dictionary.com:

‘ having committed an offense, crime, violation, or wrong, especially against moral or penal law; justly subject to a certain accusation or penalty; culpable: ‘

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Idea ‘Guilty’ is also a variation of idea ‘Communicate’. Here’s the explanation: Have you noticed that those that have instigated you look profoundly, obviously guilty as it relates to those instigations? According to the idea ‘Guilty’ that I invented/imagined, it is my belief that instigators use their absurdly emphasized identity of being guilty in order to discourage innocent people from feeling guilty themselves. I thought about this possibility, and so I imagined within the past week or so without specifics situations that I myself would also feel a profound sense of being guilty, but my guilty would be in the context of also being innocent. I imagined having the same, obvious, guilty face that instigators have, but in the context of being an innocent person, not an instigator.

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I actively imagined that for only a few minutes, but from that imagined experience, I made the deduction that having the ability to tolerate certain forms of feeling guilty can help an innocent person’s strategy to managed certain forms of exposed instigations significantly. For example, if you are using the ‘Stop solving!’ idea that I typed in a number of lists ago, if you contemplationally allow certain forms of guilty related identities to exist unresolved contemplationally, that technique can significantly improve your strategy. So, you contemplationally sense a ‘guilty’ identity you choose to not resolve as well as not become it. Well, let’s see if I can talk about idea ‘Guilty’ more later.

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Why forbid: Why deny:

It is now 11:27 AM EST for me. Now, in a manner of speaking, this is the idea that I am currently using that I think I invented yesterday, 11/12/2021, this past Friday.

Why understand:

I just remembered that I invented the main part of idea ‘Why forbid’ and ‘Why deny’ called ‘Why understand’ while I was doing my laundry in the public laundromat this past Friday, yesterday, 11/12/2021. Yesterday, while I was making a private contemplation explanation for something, I noticed another laundromat customer, and that moment contemplationally encouraged me to pursue a sense of ‘why’ for a certain sense of understanding. Soon after that incident while I was still doing my laundry, I called that experience ‘Why understand’.

Why:

Idea ‘Why’ I invented I think this past Thursday, 11/11/2021. It identifies how certain instigations encourage you to pursue a contemplation sense of ‘Why’.

Why intolerable:

All right. The ‘understanding idea’ for ideas ‘Why forbid’ and ‘Why deny’ is called ‘Why intolerable’. The word ‘intolerable’ is from the title of the movie ‘Intolerable Cruelty(2003)’ starring George Clooney as Miles. It’s just from the title of that movie. You don’t have to actually see the movie, just use it’s title. Idea ‘Why intolerable’ is also a variation of idea ‘Communicate’.

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Baseline:

It is now 11:58 AM EST for me. Let’s start over, with what I have already typed in. I am going to try to give you a contemplation ‘baseline’ to use those ideas. The definition of ‘baseline’ that I am using from www.dictionary.com is ‘a specific value or values that can serve as a comparison or control’. I’m recommending that you use 2 references. The 1st reference is available streaming from Netflix, and it’s in episode 1.3 ‘The Making at the Heart of the World’ from fantasy tv series ‘Shadow and Bone(2021)’. The scene starts around 16 minutes and 43 seconds into the episode, General Kirigan(Ben Barnes) is talking to Alina Starkov(Jessie Mei Li). Here is the quote:

General Kirigan: ‘Welcome home, Miss Starkov.’

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Around 17 minutes and 10 seconds into that scene, Alina is greeted by Zoya(Sujaya Dasgupta). Here is the quote:

Zoya: ‘It’s such an honor to formally meet you.’

Zoya: (whispering in Alina’s ear) ‘You stink of the orphanage, half-breed.’

Alina: (face presenting some shock/surprise as to what Zoya said)

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The 2nd reference for idea ‘Baseline’ is in episode 1.5 ’12 Hours’ from action tv series ‘The Transporter(2012)’ starring Chris Vance as Frank Martin, Charly Hubner as Dieter Hausmann, and Josh Blacker as Giles. In that scene, Frank Martin is pretending to be Dieter Hausmann, Dieter Hausmann is pretending to not be Dieter Hausmann, and Giles is instigating both men, but the instigation is mostly noticeable to only affect the actual Dieter Hausmann. When using the 2nd reference, you are to compare Frank Martin and Dieter Hausmann, how they are both interacting with Giles. The idea of the comparison is to see that Frank Martin is not bothered by Giles’ instigations, and that Dieter Hausmann is seriously being bothered by Giles’ instigations. You are recommended to use, refurbished for advice, how Frank Martin interacts with Giles. That episode is available streaming from Amazon.com, and according to Amazon Video, that scene starts, refurbished for advice, 45 minutes and 53 seconds into the episode. Here is the quote:

Giles: ‘You hear me, Dieter?’

Dieter: ‘Dieter? Uh, Dieter is not here.’

Frank Martin: ‘You gonna introduce me?’

Giles: ‘Who the heck are you?’

Frank: ‘Dieter. Dieter Hausmann.’

Giles: ‘What?’

Frank: ‘I apologize for what I said on the radio. So, uh… why don’t I buy you a few beers?’

Giles: ‘You don’t sound like Dieter.’

Frank: ‘I know. I sound different on the phone.’

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It is now 12:39 PM EST for me. So, here’s the ‘Baseline’ explanation: Let’s use adults who have been working in the same job for a few years or more, and have been experiencing mild to moderate forms of instigation for years. For this example, let’s say that, when the men would experience certain forms of mild instigations, they would contemplationally make comments about them. Let’s imagine those men choosing a baseline perspective that does not involve their comments, as well as the contemplation interjections created by those instigations. Those men would still feel those contempation interjections, but because they chose a baseline perspective where they did not make such contemplation interjections, even though those men sense those contemplation interjections from those instigations, they are choosing to not use/not involve/not give credence to such contemplation interjections.

Let’s refurbish that ’12 Hours’ scene as an example of choosing a baseline perspective. Let’s say that Frank Martin chose to not use/not involve/not give credence to certain contemplation interjections encouraged to be created by Giles. Notice that Frank Martin is able to have a reasonable conversation with Giles as a result.

It’s going to take some practice, but with practice, you should experience positive results. For example, I use public transportation. I also wait for the bus in a bus terminal where various people are going to work and school. What I do is imagine situations with certain people that I perceive, and I also experience certain situations from a few that I perceive. So, for example, even though I experience certain contemplation interjections, based on my chosen baseline perspective, I choose to not use/not involve/not give credence to certain contemplation interjections, even though I still sense such contemplation interjections.

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Why intolerable:

So, using idea ‘Why intolerable’ and ‘Baseline perspective’, let’s say that I experience an instigation that imposes a certain minor intolerance that I did not choose to interact with. Since my normally used baseline perspective indicates to me that I did not agree to interact with such an intolerance contemplation, I sense it, but I did not use it. I did not interact with it. I did not get involved with it. I did not become it.

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It is now 12:54 PM EST for me. Since idea ‘Why intolerable’ was a recently created idea, I’ll probably be able to explain it better over time. As usual, what you read in the blog is usually the 1st time that I explained it in words, like practically all of the time it’s the 1st time explained at all, other than in my mind. Once I type it in, I contemplationally improve upon it. I regularly use my improvements in the future ideas that I type in. I’m sure, so to speak, that the people who read this blog easily improve it’s advice. So, there’s my 1st draft, I’ll probably improve upon it, and use such improvements on future ideas.

I’m going to stop typing now. Next week, I’ll just type a few of the new ideas that I made from soon after I close this list up until next Saturday. So, if you are there next Saturday, I’ll see you then.

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Rated TV-14 viewer discretion for tv series ‘Men of a Certain Age’. Rated PG-13 mature themes, viewer discretion for movie ‘Intolerable Cruelty’. Rated TV-14 mature themes, violence, viewer discretion for tv series ‘Shadow and Bone’. Rated TV-14 violence, viewer discretion for tv series ‘The Transporter’. Use only refurbished for advice references recommended. Throw away rest of episode, series and movie. [Use mental bookmarks ‘Partial justification’, ‘Communicate’, ‘Realize’, ‘Guilty’, ‘Why’, ‘Why forbid’, ‘Why deny’, ‘Why understand’, ‘Why intolerable’, ‘Baseline’, and ‘Baseline perspective’ for reference, allocation, and prevention when needed.