7/6/2023

Salutations.

It is now 6:32AM EST for me.

Now, I have more time to type in this blog. I’ll start typing again around 8:30AM, about 2 hours from now.

I think it’s unique that certain movies recently made available in theatres, shortly after, are being made available to streaming services. I recommend 2 that you may want to watch. You don’t have to. Right now, they’re not used for advice. It’s just a recommendation:

I used in www.google.com phrase ‘guardians 3 disney plus release date’ to select link www.comingsoon.net:

When is the rumored Guardians of the Galaxy 3 Disney Plus release date?
Guardians of the Galaxy 3 is expected to release on Disney Plus in August 2023.

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A trailer for the movie is available streaming on Disney Plus. For me, that’s proof enough, so to speak, that it should stream there soon.

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Here’s a phrase I used in www.google.com to search, ‘the flash max release date’, and I selected link www.polygon.com:

WHEN WILL THE FLASH BE ON MAX?
Based on previous movie releases, it seems like a pretty safe bet that The Flash will arrive on Max sometime around late August or early September. The evidence for this mostly comes from the recently released Shazam! Fury of the Gods, which premiered in theaters on March 17, then quickly made its way to Max on May 23.

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So, ‘around late August or early September’ The Flash should be available streaming from Max.

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It is now 6:42AM EST for me.

If you are there around 8:30AM EST later today, I’ll see you then.

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It is now 8:38AM EST for me.

Here’s the study plan: As part of the ‘Kryptonian’ story, I’m going to explain an idea that I call ‘Terraform’. 1st, I’ll recommend the usual music video and trailer, and then I’ll prepare the ‘Terraform’ references, and the last reference for the ‘Kryptonian’ story. I don’t think I’ll have time, but if I do, I’ll start explain those other ideas that I was originally going to explain, the ‘Lie penalty initiate’ idea, and the other 3. Everything will be incrementally explained. I’m going to look for that music video and trailer now. So, if you are there later today for that music video and trailer recommendation, I’ll see you then.

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It is now 10:17AM EST for me.

The music video that I watched for the 1st time and recommend for this advice is called ‘I’ll Be Okay’ by KALI. I found it in www.youtube.com, selected publisher ‘Vevo’, scrolled to the bottom of the page, from category ‘Featured Channels’, select phrase ‘VevoSpecials’, not phrase ‘Subscribe’. I think this is the 1st time that I used category ‘VevoSpecials’. I didn’t know it represented Australia & New Zealand. Scroll down a little to category ‘NEW Music Playlists – Vevo Australia & New Zealand’, then select ‘View full playlist’ from category ‘New Music Australia & New Zealand’. Scroll down to #416, ‘KALI – Waste No Time’, select publisher ‘KALI’, select ‘VIDEOS’, then choose music video ‘KALI – I’ll Be Okay (Official Music Video)’. It was published 2 years ago with 35K views.

There are 46 comments. Here is a quote from one of those comments:

‘ I love the message behind it! And the visuals ughh 😍 So beautiful! ‘

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In my opinion, when I watched it, it’s like it’s allowing you to consider moving into that apartment complex, whether or not you are actually going to. The visuals from that music video are relaxing to watch. I couldn’t find a convenient review for that song and music video.

There is one word from the song that I just noticed. It’s not terrible, but if I had noticed it earlier, I would not have selected it. Nevertheless, just don’t use it. If KALI was performing this song in a morning talk show, the lyrics would probably be edited for general public listening.

Here is a quote from the song:

This feeling pains me
I’m anxious get out of my way
I know I gotta be patient
Just give me my space yeah and I’ll be okay

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The movie trailer that I watched for the 1st time and recommend for this advice is called ‘Asako I & II Trailer #1 (2019)’. I found it from www.youtube.com, select publisher ‘Rotten Tomatoes Indie’, select ‘PLAYLISTS’, scroll down, and from category ‘Sorted by Genre’, select ‘Indie Dramas’. Asako I & II Trailer #1 (2019) is #1007 and #1008. I scrolled down most of the way, then scrolled up to find it.

Keep in mind that this movie was made in another country, not in America, so if you find it’s reasoning to be a little confusing, the movie was made in another country. Here is a review that I found in www.google.com using phrase ‘Asako I & II movie reviews’. I selected link www.theguardian.com:

‘ It has a kind of counter-Vertigo theme, a tale of mirror-image obsession, but where this kind of thing is usually about the possessive male gaze and passively enigmatic female beauty, here things are reversed. Asako is about the female gaze, and male beauty. ‘

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In my opinion, it’s relaxing to watch. There are several positive review quotes presenting with the trailer.

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It is now 10:59AM EST for me. I’m going to prepare the references for idea ‘Terraform’. I should start typing again soon. I’ll see you then.

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Terraform:

It is now 11:23AM EST for me.

Here is the definition of ‘terraform’ from www.dictionary.com:

‘ to alter the environment of (a celestial body) in order to make capable of supporting terrestrial life forms. ‘

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Now, here is the way I am using the phrase ‘terraform’: ‘ to alter the environment in order to make capable of supporting a chosen perspective. ‘

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It is my belief that, in the now and in the near future, people will add certain interactions to allow certain participations to meet it’s intended perspective expectations. I just imagined this idea, and it’s going to be a little ‘wordy’. The 1st illustration idea is in episode 7.4 ‘Taxed’ from lawyer tv series ‘The Good Wife(2015)’, that weight game a few of those lawyers were playing. The episode is available streaming from Amazon.com, and according to Amazon Video, that scene starts 7 minutes and 42 seconds into the episode:

Maia Sachs(Marsha Stephanie Blake): ‘You trying to guess my weight?’

Alicia Florrick(Julianna Margulies): ‘Excuse me?’

Maia Sachs: ‘I heard your friends laughing. You-you score points based on your clients’ weight, right?’

Alicia Florrick: ‘I’m not doing that, ma-am.’

Maia Sachs: ‘Then what are you doing?’

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Refurbished for advice, if you watched the episode, then the lawyers playing that ‘weight game’ terraformed that game into the minds of all the people that are being arraigned(called or brought before a court to answer to an indictment). So, if you work there, it’s probably something else to do, to listen to those lawyers bickering of some game they invented. But if you are being arraigned, the experience is being terraformed into your mind. A few of them are verbally complaining about it, and all of them are experiencing it.

I created an example of ‘terraforming’ that I would think about occasionally. Basically, it was created from sci-fi tv series ‘Andromeda’, ‘Highlander’, and movie ‘Nemesis Game(2003)’. I tried to make a more specific reference yesterday, but I wasn’t able to do it. I think that, when I made the example, I just ‘filled in the blanks’, so to speak, to make it work.

So, here is the imagined illustration:

It’s happening now, but in the near future, people will terraform perspectives to make interacting with participations that involve virtual reality more viable, give more life to the expectations of those perspectives. The perspective that I imagined involved the refurbished use of actor Adrian Paul, for his performances in the ‘Highlander’ series as Duncan MacLeod, and his refurbished for advice performance as Vern in the movie ‘Nemesis Game’. The movie ‘Nemesis Game’ is available streaming on Amazon.com. If memory serves, Vern is a character that is obsessed with solving puzzles, and goes crazy in the end of the movie. In the example that I have created, the refurbished character, let’s also call the character Adrian Paul, he is not crazy, but I’m using Vern to add depth to his attitude.

In episode 4.22 ‘The Dissonant Interval: Part Two’ from sci-fi tv series ‘Andromeda(2004)’, the episode is available streaming from Amazon.com. There’s a freevee version from Amazon.com, but that has commercials. If you are going to look at it, I recommend that you just purchase it from Amazon.com. In the illustration example that I created, some people created a partial virtual reality of that situation. They’re participating as the Magog, and they have invaded the space ship Andromeda. And that is the use of that participation. It’s locked into that scenario 24 hours a day, 7 days a week, and if you are able to manage to somehow participate, there are always some people involved participating as Magog in that participation.

The spaceship Andromeda is a big spaceship. When you use this illustration example, that is the moment when Adrian Paul is involved with the participation, but he is at another part of the spaceship hiding from the Magog performers. Wherever you are in that spaceship Andromeda, you can sense the Magog terraform some sort of ritual that they would use as they are invading a spaceship.

When I would imagine it, I would walk through an Andromeda corridor, and then find Adrian Paul sitting in that corridor, and he would present himself like he was a little crazy. He was really absorbing that terraformed perspective, that the Magog have taken the ship, and they are performing that ritual.

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Here’s an imagined comment from one of the kids reading this:

Kid: ‘Why would I want to imagine that? It’s scary!’

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I should have said this in the beginning. The purpose of the ‘Terraform’ idea is to finish the ‘Kryptonian’ story. The last part of the story clarifies that the ‘Kryptonian’ story is what I call a ‘Vent’ idea. It is to give you more depth, to allow you to ‘vent out’ to a degree certain aspects of experienced instigations.If you choose to bear with me a little longer, so to speak, all will be explained.

Of course, that thing Adrian Paul is doing is not real, but if you choose to participate in that ‘Magog took over Andromeda’ experience, whoever is participating as Magog with the resources available to them are really terraforming the perspective that Magog have taken the Andromeda. In my opinion, this experience may help you appreciate more certain experiences that involve moving around using imagination. In my opinion, it gives you more to work with.

If you choose to participate in that ‘Magog took over Andromeda’ experience, you are probably not officially invited to participate with the main group. However, since it’s relatively new technology, people are still able to legally be on other parts of the spaceship. You are not going to see the Magog, but other terraformed perspectives you will be able to experience. That is why Adrian Paul is on another part of the ship, a part of the ship where the Magog is not supposed to be in. Like I said earlier, the spaceship Andromeda is very big. And it’s intentional to not know who is portraying the Magog. I’m guessing it’s several companies/corporations participating, since there’s always a large? amount of people participating, 24 hours a day, 7 days a week. Who has the time for that?

I just thought of it a few minutes ago. If you choose to participate, it’s like convenient Halloween, if you don’t have time to do it that one day a year. After all, Halloween is an experience kids in America enjoy experiencing, wearing costumes, the parties, even being scared a little.

So, I recommend that you think about that ‘weight game’ in that ‘Good Wife’ episode. A few people complain about it, but most people just listen to it.

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Vent out:(name created around 1:24PM EST)

It is now 12:38PM EST for me.

I’m going to get sloppy and just finish it. There’s too much information to type in from the original story, and I’ll just explain it’s ending.

The last part of the ‘Kryptonian’ story uses illustrations from episode 1.2 ‘Stole Train’ from tv series ‘FUBAR(2023)’, the episodes are available streaming from the streaming service Netflix. When I made this idea, I think I made it while I was watching the episode. Of course, if you watched the episode normally/from left to right, you don’t know that the main characters will resolve the situation, and that they are able to stop the train, among other things. When I made the idea, it was before they resolved it. I’ll explain later.

To help you get a sense of using the episode, here’s a quote, about 33 minutes and 30 seconds into the episode:

Luke Brunner(Arnold Schwarzenegger): ‘Oh, just do a sweep. I mean, Boro maybe has an agent on the train.’

Emma Brunner(Monica Barbaro): ‘Check her out. Combat boots don’t exactly go with the outfit.’

Luke Brunner: ‘But they’re terrific for the cold and the mud. Maybe she’s just practical. How about the case behind you? There might be a weapon in there.’

Emma Brunner: ‘Copy that. What about him?’

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Anyway, here’s the story: Just imagined, you are aware of many perspectives that allow you to enter and leave certain situations, at least in imagination. You can perceive the world as one big virtual schematic. You can imagine flying around like The Mandalorian does in his tv series from Disney Plus, flying to different places in the world. And if you were to get even a little real validation for such an imagination, this is what you can imagine: when an actual event occurs on the Earth that your use of technology can allow you to explore further, like government operatives on a mission to stop a train, you can explore the situation partially virtually, but you are not actually there. When I was watching episode ‘Stole Train’ from tv series ‘FUBAR’, I imagined myself using avatar celebrity Keanu Reeves. I watched as Luke Brunner was trying to stop the train, but he wasn’t able to at the moment. As Keanu Reeves, even though Luke Brunner couldn’t see or hear me since I wasn’t actually there, I said to him quote ‘I’m sorry I can’t help you.’ , and then I left using my X-Men Quinjet from one of those ‘X-men’ movies. It was outside flying alongside that moving train from the ‘Stole Train’ episode.

In my opinion, you want that effect, to want to leave during that moment. That partially helps create the ‘venting’ effect, to take something out of your mild to moderate experienced instigations. Also keep in mind that the CIA operatives towards the end of that episode, they did manage to stop the train, but you want the effect before that happens, you want to use the moment when you admit to Luke Brunner that you are not able to help him before you leave the train.

To conceptually reference that moment, imagine a vantage point that is from being inside the train looking out, and outside where the vantage point is looking, you can see your X-Men Quinjet waiting for you. If you watch that ‘Stole Train’ episode, with inapproprieities removed, you should be able to easily imagine creating such a vantage point.

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So, when you experience certain mild to moderate forms of instigation, and you want to ‘vent out’ something about the experience, for example, maybe the instigator told you something that was excessively emphasized, and you were doing something else, in relation to advice said, ‘the sky’s the limit’, just imagine that vantage point where the X-Men Quinjet is flying outside the moving train, and ‘vent out’ some of that experience. And of course, in relation to advice said, you can change any and all aspects of this idea, or choose not to use it at all, etc. In relation to advice said, if you choose to take it, it’s yours to do whatever you want with it. One example is that you are going to ‘vent out’ that excessive experience by putting it in that X-Men Quinjet, allowing it to leave the train. You already know that may work, since when I was watching it ‘left to right’, I also wanted to leave the train. There’s a circulating perspective there that encourages things to leave the train during that moment.

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It is now 1:10PM EST for me. I am going to close this list now. Next Thursday, I will explain ideas ‘Lie penalty initiate’ and those other 3 ideas I originally was going to explain, unless I change my mind again. So, if you are there next Thursday, I’ll see you then.

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Some language, some viewer discretion for movie ‘Asako I & II’. Rated TV-14 mature themes, violence, viewer discretion for tv series ‘The Good Wife’. Rated R for Frightening & Intense Scenes, violence, viewer discretion for movie ‘Nemesis Game’. Rated TV-PG mature themes, sci-fi violence, viewer discretion for tv series ‘Andromeda’. Rated TV-MA mature themes, violence, viewer discretion for tv series ‘FUBAR’. Use only refurbished for advice references recommended. Throw away rest of episode, series, and movie. [Use mental bookmarks ‘The Kryptonian story’, ‘Terraform’, and ‘Vent out’ for reference, allocation, and prevention when needed.